Theatre, Music and Cinema free essay sample

Theatre is a topographic point where you can see a drama staged. It is besides one of amusements. A theatre consists of two parts: the phase and the hall. They are separated by a drape and the orchestra. Actors and actresses perform on the phase and public the hall, the cavity, the dress-circles, the boxes and the gallery. If we made up our head to travel to the theater we should travel to the box-office to purchase tickets. Seatings can be reserved beforehand. There is a theater in our town. On the phase of this theater you can see such dramas as # 8220 ; Meetings in Vienna # 8221 ; , # 8220 ; Silva # 8221 ; , # 8220 ; The Princess of Circus # 8221 ; and others. The theater is really popular in the South of Russia. In jumping the histrion of this theatre played on the phases of Moscow. There are many gifted histrions in the theater and some of them are known all over the part. We will write a custom essay sample on Theatre, Music and Cinema or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page They are Molchanova, Zaiseva, Smirnov, Aliev and others. I have seen the drama # 8220 ; Mister X # 8221 ; and I liked it really much. But we are to acknowledge that theater is non so popular now as it used to be. There are many people who prefer to sit comfortably in forepart of the Television and bask themselves without go forthing their places. Normally we see movies either in the film or on Television. But from clip to clip I go to the film. My favourite movie is # 8220 ; Romeo and Juliet # 8221 ; . The Italian manager Franco Zeffirelli, produced a chef-doeuvre in this version. The costumes are superb, the histrions are fantastic, the music by is perfect, and the lines are delivered attractively. The film starred Leonard Whiting ( a British histrion, who played Romeo ) and Olivia Hussey ( Juliet ) . They were immature when they filmed the Classic, 17 and 15 old ages, creditably. This film is one of the most realistic readings of William Shakespeare s Tragedy. It is hard to populate without music. We hear music everyplace: in the streets, at place, over the wireless, on Television, in the Parks A ; in concert halls. We can # 8217 ; t live without music. We like to listen to music, we play musical instruments. Music reflects people # 8217 ; s temper A ; emotions. As for me I enjoy several musical manners: dad, stone, blame, electronic and others. But I dislike metal, difficult stone, state and blues.

Timeline of Anglo American Essay Example

Timeline of Anglo American Essay Example Timeline of Anglo American Essay Timeline of Anglo American Essay Q1: Trace the history of Anglo American from 1917 to date in South Africa and other Businesses? Anglo American plc is a global mining company headquartered in London, United Kingdom. It is a major producer of diamonds, copper, nickel, iron ore and metallurgical and thermal coal and the worlds largest producer of platinum, with around 40% of world output. The following is the timeline of Anglo American: 1917Company founded by Sir Ernest Oppenheimer along with American J. P Morgan. Initial investment was 1 million pounds raised from various sources in UK and US. The company was headquartered in London, United Kingdom. 1926AAC became the major stakeholder in the De Beers company. 1928AAC began mining in the Zambian copper belt. 1945AAC moved into the coal industry by acquiring Coal Estates 1957Sir Ernest died in Johannesburg and was succeeded by his son, Harry Oppenheimer, who also became chairman of De Beers. Late 1950’sAAC focused on the development of the Free State goldfields (seven major mines simultaneously) and the Vaal Reefs mine. The success of the mines enabled the company to become the world’s largest gold-mining group. 1961AAC expanded outside of southern Africa for the first time and became a major investor in the Hudson Bay Mining and Smelting Company in Canada. 1967Moved into the steel industry by acquiring Scaw Metals. 967 to 1975Continued to grow and established a number of ventures, including the Mondi Group (timber, pulp and paper), Amgold (later AngloGold Ashanti) and then Amcoal (through the consolidation of several of its mining operations in South Africa 1982Oppenheimer retired as chairman of the AAC and was succeeded by Gavin Relly. Anglo American Corporation merged with Minorco on 24 May 1999 to form Anglo American plc with its primary listing on the London Stock Exchange and a secondary listing on the Johannesburg Stock Exchange 2001In 2001, De Beers was privatized after being a listed company for more than 70 years.

Drug policy in Medix Production Plant Assignment

Drug policy in Medix Production Plant - Assignment Example The increasing level of drug use in the company premises poses the following challenges to the company. First, it leads to low work output. Employees working under the influence of the drugs are prone to mistakes. Conversely, the company has been failing to meet its targets. Second, the drug abuse in the company premises contravenes the work ethics. The situation predisposes the company’s management and the workers in conflict. The fear is that when the company implements it working code, it is likely to lose workers or engage in court cases with the workers union. The company has observed that prolonged period of drug abuse in the company premises would make the workers to believe that the act does not contravene the company’s operation codes.   The trend would expose the company to external attack especially from authority. Some employees show occasional abuse of drugs in the company’s premises. While the occasional uses may not view their conduct as a vice, it exposes the company to criticism from fellow workers and the public. Generally, drug use in the company is a threat to the company’s future. Factors that promote drug use Drug use among the employees stem from an individual choice made before joining or after the employee joined the company. Studies show that drug use has both biological and psychological effects (Wald & Hutt). The psychological effects influence the person’s cognitive ability thereby influencing the normal behavioral trends. Since the drug use leads to addiction.... First, it leads to low work output. Employees working under the influence of the drugs are prone to mistakes. Conversely, the company has been failing to meet its targets. Second, the drug abuse in the company premises contravenes the work ethics. The situation predisposes the company’s management and the workers in conflict. The fear is that when the company implements it working code, it is likely to lose workers or engage in court cases with the workers union. The company has observed that prolonged period of drug abuse in the company premises would make the workers to believe that the act does not contravene the company’s operation codes. The trend would expose the company to external attack especially from authority. Some employees show occasional abuse of drugs in the company’s premises. While the occasional uses may not view their conduct as a vice, it exposes the company to criticism from fellow workers and the public. Generally, drug use in the company i s a threat to the company’s future. Factors that promote drug use Drug use among the employees stem from an individual choice made before joining or after the employee joined the company. Studies show that drug use has both biological and psychological effects (Wald & Hutt). The psychological effects influence the person’s cognitive ability thereby influencing the normal behavioral trends. Since the drug use leads to addiction, employees using drugs find it difficult to live without consuming the drugs. The biological effects of drug use dictate the body activity thereby exposing the drug user to constant consumption. Scientifically, drug addictions influence the body functions. This tends to explain the employee’s choice to sneak and abuse the

Information System Hardware and Software Essay Example | Topics and Well Written Essays - 750 words - 1

Information System Hardware and Software - Essay Example They generally include databases, word processors, and spreadsheets. Microsoft Office Professional 2007 is a type of application software. It includes Access, Excel, Outlook, PowerPoint and word that are widely used as business application software. By using Office Professional 2007 business professionals can work faster, efficiently and effectively, stays organized, and manage contacts and customer information more effectively and in one place. It helps in producing professional-looking marketing materials, dynamic business documents, spreadsheets, presentations and databases with no prior experience or technical staff. Microsoft Office Excel 2007 can be used for analyzing business information for making better business decisions. It has features such as new tools for filter, sort, graph, and visualizing information so that business information can be analyzed more easily. Office Excel 2007 provides improved PivotTable and PivotChart views for advanced analysis and it is much easier to create. Microsoft Office Word and PowerPoin can be used for creating professional-looking documents and presentations in less time. Microsoft had included new templates and tools that make Office Word easier to reuse content, apply professional formatting, and quickly preview changes. Office PowerPoint makes it quicker and easier to create presentations that are more dynamic. Office PowerPoint has a wide library of customizable themes and slide layouts, and new graphic tools. It enables to create powerful charts, SmartArt graphics, and tables, and then instantly preview formatting changes. Microsoft Office Access helps in find, use, and manages information more effectively. By using it, new database can be created easily without any previous experience. Microsoft has provided a library of predefined database tracking applications for the most common business processes and

Art History Paper Research Example | Topics and Well Written Essays - 750 words

Art History - Research Paper Example Works of art are meant to communicate a message and this is evident in The Happy Couple by Judith Leyster and The Gleaners by Jean-Francois Millet. Both artworks are a manifest of socio-economic events happening in the society and their overall influence on shaping thoughts and ideologies. For example, The Happy Couple is an embodiment of love and tenderness that Judith Leyster did in 1630 when she lived in Netherlands with her husband. It was painted using oil on canvas and its dimensions are 81.8?110.7 cm (32?43 in) and it can be found currently at the Louvre, France. On the other hand, for Jean-Francois Millet’s The Gleaners, it has interesting features worth noting (Weiner, 2000). The painting was done in 1857 in the wake of the French Revolution to encourage the lower-class workers. While using oil on canvas, Millet attempted to represent socialism as a means empowering workers over landowners who subjugate their interests. Interested persons can find the painting at Muse e d’Orsay, Paris for viewing and enjoyment. Its dimensions are 83.8cm?111.8cm (33?44 in) and it is a realism painting that narrates the struggles of the French people especially the lower classes in their endeavors to succeed. The main agendas of the two artworks are directly linked to the agitation for recognition in a society that was increasingly becoming exploitative to the lower classes hence making life hard for them. This is notable in The Gleaners, an apt example of realism with the display of peasant women who are tilling land to find a harvest of wheat. As a result, the painting’s depiction of real life implies that the lower classes were impeded by the upper group into entering the upward mobility (Walther, 2002). The inaccessibility was hence motivated by the growing gap between power and helplessness that characterized France after the French Revolution. In The Happy Couple, Leyster was revealing the various aspects of her family that eventually bore her f ive children prompting her to leave painting. It means the painting infuses the elements of realism and symbolism in communicating its message of bliss while also evoking a deeper sense of uncertainties and doubts in marriages. It is vital to compare The Happy Couple by Leyster and The Gleaners by Millet based on numerous reasons. They, for instance, represent vividly artistic periods of societies when art was a serious medium of communication unlike in the modern age. Comparing the two artworks also gives an understanding of realism and symbolism and how they apply in the context of disseminating messages to the ordinary human beings as witnessed with The Gleaners. This is unlike Leyster’s painting that echoed a graceful period when people yearned for good marriages and children to create families (Weiner, 2000). Therefore, the main idea of comparing the works is examine their significance today in the different structures of society especially the socio-economic and politic al factors. Leyster equally integrates brushwork to connect to a period of distress as she struggled to become a professional. For instance, her visual elements in The Happy Couple such as too much oil on the edges is another revealing representation of the surrealist period when art served for aesthetic purposes than as a tool of raising consciousness. It is also noted in The Gleaners by Millet where the central focus of the background attaches itself the physical abundance that cannot be

Ludwig Mies van der Rohes New National Gallery, Berlin

Ludwig Mies van der Rohes New National Gallery, Berlin The closest Ludwig Mies van der Rohe got to realising his vision of the column-free pavilion? Was this final expression of his ideas of canonical significance for 20th Century architecture? The New National Gallery in Berlin was Ludwig Mies van der Rohes last design. Throughout his career he had been employing the same central ideas he was concerned with to most of his designs, gradually developing and refining them. In order to understand his last building, said to embody successfully all the ideas he was most passionate about, it is important to see how these evolved from building to building over the years. Then one can consider this final expression of his ideas as a result of a lifetimes worth of work and assess it in terms of its significance in Modern Architecture. Since the 1920s, Ludwig Mies van der Rohe had been focusing on evolving two types of forms which could be adapted to a range of situations; the skeletal framed building with small cellular spaces ideally designed for office and apartment buildings and the single volume pavilion where a larger completely flexible space is needed. At a time of rapid and continuous change, it made sense for Mies van der Rohe to develop the latter, the infinitely flexible space. Contrary to the largely known notion by Louis Sullivan that form follows function, Mies believed that buildings should be designed with the least amount of fixed elements so as to be as flexible as possible and ready to adapt as their functional requirements change over time. His designs since 1921 are a demonstration of his quest for flexible space. He was pursuing open and flowing rather than closed and cellular. The New National Gallery is widely considered the most developed expression of such a space. In this project, Mies had the opportunity to create the infinitely flexible interior but also incorporate two more of his most important notions; appropriate and visible structure and fluidity between interior and exterior. Miess most central principles synthesized into a single pavilion of powerful scale and presence. Miess journey from his first buildings to the embodiment of his most significant ideas in the New National Gallery was anything but a straight line. However, there were significant steps that marked the development of his idea of the column-free pavilion. These significant stages were outlined by Miess pupil and future associate Peter Carter. The idea of an open and flowing space first materialized in the house designs of Frank Lloyd Wright where living areas are fairly open and interconnected. Wrights open plan designs excited architects all over Europe. However, it was Mies who took the idea of the de-cellurization of the building further. His sequence of space-liberating designs from about 1920 onwards changed the way in which architects thought. Miess Brick Country House was his first development of the free-plan interiors that Frank Lloyd Wright had introduced. It was a long way before the creation of the completely unobstructed interior space, but an important move in this direction, as in this project Mies started subdividing the interior by free standing walls rather than conventional ones. He only let walls to meet as L or T junctions to allow the interior space to flow freely from one room to the other and out into the landscape. Although this merely constituted the first step in his pursuit of open flowing space, Mies van der Rohe had already taken the concept of spatial continuity and fluidity much further than anything proposed by Wright. Though he had started removing interior walls, the exterior of the Brick Country House remained solid. The next step towards his open flowing space was abolishing the division between interior and exterior space. The opportunity to apply this was the Barcelona pavilion; one of the most influential designs of the 20th Century. In this project, Mies transformed practical, conventional walls into abstract planes freely disposed as in a De Stijl composition. In the De Stijl movement, artists simplified visual compositions with the use of primary colours and straight horizontal and vertical lines. In the Barcelona pavilion, walls are not functional in the conventional way. Instead of supporting the roof and separating specific rooms, these planes loosely define space. What is also unclear and undefined in this project, is the division between the interior and the exterior space, another important step towards his open-flowing space. After substituting load-bearing walls with slender columns, the next step to the Miesian transparent pavilion was to remove columns from the interior completely and placing them on the outside perimeter of the building. This would render possible the interior to be completely unobstructed from any fixed elements and theoretically make it totally flexible. This was first seen in his Concert Hall project in 1942. Lastly, in the Farnsworth House in Plano, Mies van der Rohe would dematerialize completely the outer walls of the pavilion so as to push the concept of transparency sandwiched between two horizontal planes. Mies van der Rohes long series of experimentation had as a result the development of a general architectural form, the column-free Miesian pavilion. The pure glass-walled version of the column-free Miesian pavilion would provide the parti for the New National Gallery in Berlin. The commission for a new art gallery in Berlin was an opportunity for Mies to finally build the single-volume clear-span pavilion in its purest form which he had never been able to build before. He was commissioned to construct a much needed permanent home for the modern art collection in the Western part of the then divided city. Though half the size and population of West Berlin, the Eastern part included most of the cultural institutions and the historic centre of the city. It was in this context that the Culture Forum was designed. It was going to be a cluster of buildings dedicated to culture and the fine arts to replace the institutions that had fallen in the eastern part of the post-war city. The New National Gallery was going to be part of it and would epitomize the integration of West Berlin and West Germany into the democratic capitalist system of the West. The site for the new gallery was Kemperplatz, an area between Potsdammer Strasse and the Tiergarten that had once been a busy centre of Berlin life before being destroyed by wartime bombing. Apart from the church of St. Matthews of 1846, nothing was left standing after the war and this unused land that remained would provide the site for the development of Berlins new Culture Forum. The driving idea behind the gallery was the creation of a minimalist, steel and glass, column-free pavilion which would stand as a noble monument in the townscape. In his pursuit for a monument-like feel and uncompromising symmetrical composition, Mies referred to ancient temples such as the Parthenon. The gallery would later on be aptly named and largely known as the temple of light and glass. Once built, it would create a dramatic contrast to the other buildings of the Kulturforum by Hans Scharoun. Whereas Scharoun was much more expressionist, Mies opted for austere geometrical forms that show the structure of the building and let it stand out from, but also connect to its surroundings. Amid the visual tumult of Berlins Culture Forum there reposes a single island of order and tranquillity, the New National Gallery. Mies may have wanted continuity and fluidity between the pavilion and its surroundings. Nonetheless, it was never meant to hide in Berlins busy life, but as previously mentioned, it had to have a monumental form. This prerequisite, along with the inclination of the land encouraged the idea of setting the gallery on a large open terrace. The experience of reaching the entrance further intensifies the gallerys monument-like feel. Wide steps guide the visitor who begins to feel slightly separated from the surrounding city. The feeling intensifies as the visitor walks towards the back and the sloping site starts to fall away on either side. By then, the pavilion sits well above street level, and almost has the tranquillity of the top of a hill and has therefore become psychologically detached from the everyday bustle beneath. This method of detaching a building from its surroundings and raising it as if on a pedestal was often used by Mies van der Rohe, starting with his first project, the Riehl house. This method also gives the building a sense of calm, again referring to the ancient temple on the top of a hill. Sitting on the large open terrace, surrounded by sculptural works of arts, is Miess minimalist pavilion. It is the pinnacle of Miess idea of free space. He eliminated interior columns completely to allow for a large unobstructed space for artists to exhibit their work without any limitations in terms of space. Mies van der Rohe followed the notion he introduced in Barcelona pavilion and any fixed elements in the interior space of the gallery have no load-bearing function. The Tinos marble-faced columns in the New National Gallery provide for ventilation and roof drainage and the gallery is supported by eight slender cruciform columns placed on the outside of the pavilion, two on each side. By completely removing solid walls, Mies wanted to symbolise that space extends beyond the boundaries of the interior. The large spans of glass are set far back from the edge of the roof thus creating the effect of a floating plane. The unique open space created on the upper floor is mainly used for temporary, travelling exhibitions, and is ready to be modified according to changing needs, whilst all the permanent collections are safely hidden in the lower level, away from natural light. The steel and glass podium sits on a colossal subterranean stone pedestal. Though not visible, the lower level is perfectly proportional to the podium above. The lower level, apart from accommodating for the whole of the permanent collection, also includes all of the buildings functional spaces including support and utilitarian rooms. Closed on three sides, the lower floor only opens on the west side, to reveal a quiet outdoor sculpture garden. The garden is enclosed by grey granite walls which separate it from the surrounding bustling city. The floor, paved in granite slabs is another example of Miess pursuit of a flexible space. The slabs are laid loosely on the gravel, ready to be moved into new arrangements if required. With the outdoor garden, Mies created an oasis of calm in a bustling metropolis. Mies van der Rohe firmly believed in appropriate structure. A building, he was convinced, should be a clear and true statement of its times and in the case of the New National Gallery its time was characterised by advanced industrialism. For Mies van der Rohe, a buildings structure should be true to the materials and processes of its time, but also poetic and visible through the building, rather than obscured behind decorative features. Like many architects after the First World War, he wanted to bring the advantages of industrialized production methods to his architecture. He was interested in finding a new material which would allow most parts of the building to be manufactured in a factory, to ensure better quality and eliminate on-site labour. One of the most important features of a design that hoped to achieve transparency sandwiched between two horizontal planes, was the roof. Mies van der Rohe designed a monumental roof which he wanted to have as if floating above the large spans of clear glass. The design was a difficult issue to be negotiated with engineers but also a chance for the architect to bring the post-war industrialised production methods in this project. The roof, being massive, was made in sections. Its thickness is constant and always visible. What varies between sections is the quality of the steel which changes according to the level of pressure sustained by each section. The roof is a fine example of Mies van der Rohes pursuit of true structure. The ceiling, with no false ceiling added to it, also incorporates a black grid of beams which is used as an exhibit surface when the gallery hosts light exhibitions. The colossal roof, 1200 tonnes of steel, was put together and raised in one day. As a whole, the gallerys sharp geometrical structure is a sharp contrast to Scharouns neighbouring Berlin Philharmonic, built only a few years before. Whereas Scharoun was much more expressionist and concealed his structure with organic shapes, eliminating any kind of symmetry, Mies van der Rohe opted to show the structure in every possible way. All these structural and compositional elements form Mies van der Rohes pavilion, his last great design and one of the most important buildings of modern architecture. The New National Gallery may succeed magnificently as a work of art in itself but it has been criticised widely as an exhibition space. In his pursuit of the column-free clear-span pavilion Mies may have compromised certain aspects of the gallery and its functionality as an exhibition space. Whilst the lower ground galleries and the sculpture garden fulfil their purposes admirably , the pavilion above disappoints in significant ways. In the upper floor, light floods the pavilion from its glass walls on all sides and can be regulated by white curtains on three sides. Theres also a lighting system in the roof with warm diffuse light. However, in exhibition spaces, diffused indirect lighting from above is more ideal, modifiable by blinds and electric light only if necessary. The sideways illumination in combination with the lighting from above fails badly. Pictures are inadequately lit and there is a strong glare compromising the visitors comfort in viewing the artwork. The curtains partially eliminate the glare but compromise the gallerys visual transparency which is its strongest feature therefore defeating the purpose of the large spans of glass walls. In his drive for the translucent pavilion, Mies seems to have compromised the viewers comfort and experience of viewing the exhibited artwork. Moreover, the upper pavilion which Mies was so determined to create as a multifunctional space, is not as successful. Though its large-scale is suitable for exhibiting large objects and the side-lighting lights such objects beautifully, the space is unsuitable for smaller paintings. Smaller paintings are lost in the grand scale of the pavilion. It seems that Mies van der Rohes vision of the column-free pavilion fails as an exhibition space. Ironically, the lighting and grand-scale of the upper floor seem to restrict the spaces use to certain types of exhibitions, rather than adding to the infinitely flexible space that Mies van der Rohe envisioned. As a result, this infinitely flexible space turned out to be unfriendly for exhibiting art but Mies was unapologetic. It is such a huge hall that of course it means great difficulties for the exhibiting of art. I am fully aware of that. But it has such potential that I simply cannot take those difficulties into account. He considered the gallery a closed form, perfect in itself and would not allow any modification that would alter its perfectly symmetrical form. For example, when it was proposed to extend the flower floor to gain functional space that was very much needed for the gallery, a change that would in actual fact be invisible, Mies van der Rohe refused to ruin the careful proportions between the two floors. The lack of substantial functional space, and the unwillingness to do anything about it, further demonstrates that Mies compromised the buildings functionality as an exhibition space in his effort to create the perfectly proportional Miesian pavilion. Though the upper floor may not be perfectly suitable for exhibiting and viewing paintings, it is the gallerys primary architectural expression. The building is the result of many gradual steps in Mies van der Rohes journey towards the column-free pavilion and is considered a shining symbol of modern architecture. Here is a 20th Century icon of timeless serenity and composure, its functional imperfections forgotten as one contemplated its majesty as a monument and symbol. The way it sits on its site, its simple yet careful composition, along with its visible structure and use of materials make it a true Berlin monument which expresses the spirit of the industrial time in which it was designed and built. From a must-see tourist attraction and symbol of Berlin in post stamps, to a home for 20th Century European art, Mies van der Rohes last project and all the ideas it embodies represents one of the most important buildings of 20th Century architecture. Buildings such as this will refresh us by awakening all the more mans deep desire for poetic serenity and structural honesty. Ludwig Mies van der Rohe is largely considered as one of the pioneering masters of modern architecture. In every building his intentions are straightforward and his concepts of truth to structures, materials and harmonious composition are stated clearly. By this point in his career, he had developed the ideas he was most passionate about and incorporated them into the New National Gallery. It is with this project that Mies van der Rohe managed to create the column-free pavilion he had been striving for the most of his career. It stands as a monument in its context and embodies his most important principles, thus rendering it as a building of great significance for 20th century architecture.

The Positive Impact of Legalizing Marijuana Essay -- Drugs Legalize Le

The Positive Impact of Legalizing Marijuana For many years, the United States government has prohibited drugs such as marijuana from sale in the marketplace. Yet, with prohibition, marijuana use has decreased only minimally. Because of prohibition, the media has publicized only the bad aspects of marijuana use. What many people do not realize are the many positive aspects of marijuana legalization, including new medical cures, cleaner and more efficient industry, and reduced marijuana usage. Marijuana, as most people commonly know it, is really a plant called hemp, or 'cannabis sativa'. There are other plants called hemp, but cannabis hemp is the most useful of these plants. 'Hemp' is any durable plant used since prehistory for many purposes. Cannabis is the most durable of the hemp plants, and it produces the toughest cloth, named 'canvass'. The cannabis plant also produces three other very important products that other plants do not (in usable form): seed, pulp, and medicine. To understand why hemp is illegal, it is necessar y that we take a look at the law prohibiting hemp today. The law that prohibits hemp is called the "Comprehensive Drug Abuse and Control Act of 1970". The Comprehensive Drug Abuse and Control Act of 1970 (Public Law 91-513) overhauled the nation's drug regulation apparatus. Title II of the law, known as the Controlled Substances Act, established criteria for determining which drugs should be controlled, mechanisms for reducing the availability of controlled drugs, and a structure of penalties for illegal distribution and possession of controlled drugs. Marijuana, hashish, and THC are listed in Schedule I, the most restrictive classification. We also have to understand the reasons why marijuana, the drug,... ...dystonia can also attest to benefits derived from smoking marijuana. In 1981, it was reported that patients with idiopathic dystonia improved when they smoked marijuana. This is a group of disorders characterized by abnormal movements and postures resulting from prolonged spasms or muscle contractions. Animal studies confirmed that cannabinoids might have antidysotonic properties, and scientists undertook another human experiment in 1986 that showed the same results. There are many uses for marijuana, and many are unexplored. Actually, some are explored in depth because of interest, and others are left behind. There are probably many other uses that have not been found because of the lack of experimentation on the drug as a whole. If the drug is legalized, there will be much more research done on the drug, and hopefully the drug will begin to be approved for use.

Modernity/Post-modernity: has is brought more harm than good on institutions like the family?

According to Marshall Berman, modernity is a mode of vital experience of space and time, of the self and others, of life's possibilities and perils-that is shared by men and women all over the world today. To be modern, he suggests is to find ourselves in an environment that promises us adventure, power, joy, growth, transformation of ourselves and the world-and, at the same time, that threatens to destroy everything we have, everything we know, everything we are. Modern environments and experiences cut across all boundaries of geography and ethnicity, of class and nationality, of religion and ideology: in this sense, modernity can be said to unite all mankind. But it is a paradoxical unity, a unity of disunity: it pours us all into a maelstrom of perpetual disintegration and renewal, of struggle and contradiction, of ambiguity and anguish. To be modern is to be part of a universe in which, as Marx said, â€Å"all that is solid melts into air.† ( Marshall Berman, www†¦) Modern life has been characterised with great discoveries in the physical sciences, changing our images of the universe and our place in it; the industrialization of production, which transforms scientific knowledge into technology, creates new human environments and destroys old ones, generates new forms of corporate power and class struggle; (Marshall Berman, www†¦) According to Giddens, modernity refers to modes of social life or organisation which emerged in Europe from about the 17th century onwards. It is an era distinguished by discontinuities which separate modern social institution from traditional order. The characteristics of this era are; – the pace of change- rapid change in modernity i.e. technology – the scope of change – particular institutional forms (e.g. capitalism, nation state and the differences in the nature of institutions between modern and traditional ones. According to Giddens, the modes of life have moved us away from all traditional types of social order. This is because they have served to establish forms of social interconnection and they have come to alter some of the most intimate and personal features of our day-to-day existence, (reading). As we can gather, modernity is about change from traditional ways to modern ways of doing things. In this discussion, I discuss the impact of modernity on institutions most especially the family. Has modernity brought more harm than good? Traditionally as most of us believe, life at the very beginning evolved very much around Christianity and belief in God. This shaped people's lifestyles, ways of living and thus the society. Christianity and the belief in God is the tradition that has been abandoned as a result of modernity, as put by Kirk Thomas, â€Å"†¦the tradition which promised to become fruitful some 350 years ago proposed that the best hope for authentic human flourishing would come through diligent attention being given to two sources of truth; the word and the world of God. Human beings would understand their true destiny and be able to enjoy it to the full only as they read and lived on the basis of two books; the bible as both the record of both God's action within and the interpretation of the whole reality and nature as a source of human nourishment and pleasure, (K.T, www†¦). This tradition Kirk continues was ‘sabotaged from within and distorted from without'- from within, the tradition was vandalised by a ‘will to power' due to conflict between forces of the reformation and the counter reformation and from without, the tradition was deformed by the ‘will to independence', (K, Thomas). As time progressed, the word was not seen as the only source of knowledge or truth. Slowly there was the realisation that reasoning could occur without having to depend on faith- thus there was the development of scientific knowledge in the attempt by humans to separate truth from falsehood, reason from unreason and fact from fiction. This was seen as the way to examine causes of human problems and analyse them. As a result, human's dreams of the future dominated their imaginations- the dream of a society of social harmony free from oppression and ignorance. By contrasting such a bright future and the past- the dark ages to be overcome, it seemed development was irreversible, there was no turning back, (Catrell). Human's desire for reason made it become the sole action in society, then it became an autonomous power which carried other oppressive powers within its bosom- capitalism, colonialism, technology and state bureaucracy- this was the birth ob modernity. The book of the word was shut and the world became more important. Transition is ongoing, humans are striving to achieve more and more. What are the effects of this on modern society, institutions and the individual? Modern era exacerbates the changes triggered by the industrial revolution that mainly affect economic life, culture and the family. Postmodern life is characterised according to Peter Berg as; a) suffering from time- famine- this is because the requirements of capitalism are too demanding and occur at other spheres of life, i.e. leisure, spiritual life and the family b) because the other spheres of life become less important to man, he becomes hyper- individualistic where individual self- fulfilment is the life long quest and priority. Family therefore becomes less important than it was before ‘modernisation. As a result, it becomes more single headed as unwed parenthood becomes normal, where as during the pre- modern era, family was very crucial to people's livelihoods as they depended highly on each other. The community was much more important than the individual. People held close bonds in the beliefs they shared and the norms that they were careful not to break. Modernity therefore has been a complex cultural and social movement that has/is changing the shape of the society today. Let us look closely at the effects of modernity on the family. There is the dissolving of the nuclear family showing that people are not as highly dependent on each other as they were before modernisation. Today is mostly every man for himself, looking after mainly his immediate family because of the high demands the society has on the individual, the push it has for making the individual strive to better himself at all cost. Today there is an increase in the use of birth control and abortion. In the past, a young woman that fell pregnant had to be hidden from the society or chased from her home because she was seen as such a disgrace, but nonetheless, people, valued life so much that abortion even in the most difficult circumstances was not an option. Today in modern times, it is legal. Could it be because modernity has resulted into us putting such little value on children and family than our ancestors? The move from tradition to scientific has given a licence to man to play God. For example, there is the issue of cloning and an increasingly permissive attitude towards euthanasia. Whether these are ‘harms or good' brought by modernity, one has to decide. Modernity has provided us with a lot of choices that our ancestors didn't have. As put by Marshall Berman, â€Å"the promised land into which we have crossed flowing with rapid technological progress and endless consumer goods seems like a splendid world indeed- but is there an underside to the bewildering options before us? Does too much choice become unhealthy? Does choice ever become dangerous'. Our fundamental identities as men and women he writes are matters of choice and construction. He states that in our age, we have moved from fate or destiny to choice. Simply put, we have choices to make where our ancestors did not. We choose our education, our profession, our spouses and our places to live. ‘Modernity has made us turn our children into acquisitions. Modern technology has made a reality what the pre modern mind could only imagine as an utter oxymoron: planned parenthood and genetic engineering will soon manufacture for us the blonde- haired, blue- eyed designer child that we order. Modernity has seduced us into exploiting the institution of work and family to fuel the appetites of the self, but that appetite is impossible to satisfy'. The question therefore is, is it good or bad that the individual is slowly and rapidly achieving the perfection he strives for? He has so many alternatives than did our ancestors. It is clear that the family is one of the institutions that has been greatly affected my modernity. According to Gordon Anderson, in the modern era, four behavioural factors undermine the traditional family; * the distinction between primary and secondary groups- the former is the small intimate, effective group exemplified by the family and dominant in the pre- industrial society- the latter is the large scale, depersonalised, rational organisation illustrated by the modern corporation and modern state. Modernisation is essentially the progressive rationalisation of society and the gradual eclipse of primary by secondary relationships. Modern societies he states are planned economies. Bourgeois, capitalism and socialism are dominated by secondary groups and relations and in these case the family is less important. Family in modern times is characterised with low birth rates, high rate of divorce and abortion and weak family institution. * In the bourgeois society, family is also undermined because there is a drive to move private issues over to the realm of the public policy- that is deviant behaviour, personal relationships, family life and other areas of life that were private become objects of state concerns and involvement. * Anderson states that the weakening of the family in modern society stems from the growth of individualism- rather than group- centeredness * As a result of medical technology, demographic trends and the materialistic value of the system of modern society, sexual behaviour becomes less of a procreation activity and more of a recreation. For example, single women or gay people may choose to have children even without the attachment of marriage. Sex has become like taking a cup of coffee. Children today can start having sex as early as 12 years old whereas in pre modern times, courtship was the only thing to do before couples got married, ( Anderson) The causes of family change in postmodern era Technology and the economy- The family is changing because of the electronic transformation of the post modern era where information and misinformation are transmitted with increasing speed to increasing numbers of people thus also changing the nature of human communication. There is no need for families to stay together when they can easily communicate in a short time via emails telephone etc. Giddens also saw this in his characterisation of modernity under what he called the separation of time and space. He stresses on the difference between space and place. Place he says, refers to the physical setting of social activity as situated geographically and that unlike pre-modern societies where place and space coincide, the advent of modernity he suggests tears space away from place by fostering relations between absent others. In other words, modernity compresses everything; communication as a result is fast in reaching those people that one is not living with. Giddens also talks about time and space under the characteristic of modernity called, disembedding- this he says is the lifting out of social relations from local contents of interaction and their restructuring across indefinite spans of time and space. This he states occurs in two ways, through the creation of symbolic tokens and the development of expert systems. By symbolic tokens he means, the media interchange which can be passed around without regard to those that handle them. Expert systems, he states are systems of technical accomplishments or professional expertise that recognise large areas of test material and social environments in which we live today. All these only show us that the family will keep on changing due to modernity because the individual has other ways of getting by, i.e. through the use of symbolic tokens such as money, or through putting trust in expert systems. Another cause of family change is demographic, for example the decline in population of some countries I.e., Japan, Germany, Italy, etc. Even those countries that are over populated are also trying to reduce population by changing the structure of the family. Another cause in family change. In the realm of values the following transformations occur, these are; > The cultural and ideological elite of the postmodern world from old-fashioned economic politics to new identity politics. Social movements pursue psychological and cultural objectives such as gay pride and politically correct language. Feminism's goals increasingly combine economic equality and cultural equality > The search for self-fulfilment now assumes the forms of new age religious, environments and communal movements. All these transformations in society have resulted into changes in the family. Another cause is the reversal of home life and priorities. Due to the fact that in this era people are ‘time bind'- demands of work and parenting clash- the home becomes the arena for stress and work haven to which parents escape to socialise with friends and colleagues. As we can see, work which was once historically a survival necessity is turned into a good. In agricultural societies, work occurs at home on the farm, industrialisation and the rise of the factory pulls work out of the home thus causing a physical separation between home/family life and work/economic life, ( Anderson). Feminism in this era has also made the modern woman to see a job as not something to put up with, but something desired, a mark of liberation, a source of identity, meaning and self -esteem. Staying at home with babies and diapers is viewed as torture and oppression. Does this show the victory of corporate capitalism which seems to have taken over the working class and has triumphed finally over the family, the home and the private sphere? What are the consequences for the individual and society? When reality changes, humans have no choice but to redefine it, i.e. when the original concept family declines, other concepts are formed, i.e. families of gay parents and single parents redefine the family. The issue of whether or not changes of the family are good or bad is debatable. On one hand, one may say, pre industrial families in fact suffered from more severe pathologies that does modern evolving family including domestic violence, child abuse and marital rape- the patriarchy family was not kind to all its members, on the other hand to day, there is a lot of emphasis on individual freedom of choice. Consequences for children- less primary socialisation in the home as there is a lot of single parenting in the modern era and there is also a high emphasis on the importance of work and the increase in day care. Mothers also suffer as divorce causes them a decline in income and bad physical and mental health. What are the consequences of these for the society? The rise of mass society- where a society is polarised between a mass of atomised and alienated individuals on the one hand and an overbearing state on the other. In mass societies individuals pay allegiance to themselves and to their nation- nothing in between The rise of the nanny state- with high divorce rates, single parenthood and childlessness and increased freedom of choice, a substitute father emerges- the nanny. Decline of civility- Kirk suggests that the absence of effective socialisation agents will produce a stunted self, thus leading to a decline in civility because he states that the quality of an individual self depends on his/her socialization. The result of an increase in dysfunctional families is an increase in children with criminal activities and hobbies. Dysfunctional families he says produce stunted selves because they fail to do their job, (Kirk Thomas) Modernity and post modernity have brought a lot of changes to the family and the society as a whole. The major causes of family decline are deeply rooted in major social, cultural, economic and technological trends that have been underway for several centuries. However, whether the changes brought forward are positive or negative is up to the individual to decide.

Preventing Aboriginal Suicide essays

Preventing Aboriginal Suicide essays DOES A SHIFT IN THE DOMINANT SCHOOLING PARADIGM email: lloyd_ryan@nf.sympatico.ca It is with growing alarm, concern and compassion that we witness the continuing (and growing?) high rate of suicide in Canadas Aboriginal community. This phenomenon has numerous far-reaching and negative implications and, up to the present, few satisfactory explanations and fewer proposed solutions. It is, thus, imperative that aspects of contemporary Aboriginal personal and community living that have not yet come under sufficient scrutiny be examined and analyzed, not for anthropological or abstract sociological purposes, but for intensely personal and life purposes. It must be realized that, sometimes, it is that which is most ubiquitous and familiar which may be most ignored, the assumption being that what is common is not significant. An example is parasites borne by the river that has fed us for generations, or heavy metals in our staple food, both contributing to chronic health problems, and both ignored because we expect severe dysfunction to have exotic and unfamiliar dress. It is, thus, proposed that the existing predominant model of schooling, in this case schooling of Aboriginal children, come under careful scrutiny. Aboriginals, like most other Canadians, have accepted, now almost without question, the "principle" that education is the key to a secure and happy future. This principle may be as fraught with problems as the one-time equally-accepted principle that the earth was the centre of the universe and that the sun was just one of earth's satellites. Just as it was heresy to question the geo-centric universe, it is now similar heresy to question the "principle", the dogma, of the value of "education". This may not be merely a questioning of the value of "education" (whatever it is we mean by that). Indeed, Aboriginal communities have recognized that some elements of the schooling system have potential for negati...

Accelerated Science Program Helps Adult Students Find Healthcare Jobs Faster

Accelerated Science Program Helps Adult Students Find Healthcare Jobs Faster The older we get, the more aware we become of time remaining. We tend to become more efficient because there is less time to waste, less time to spend doing something we either a) dont want to do, or b) are capable of doing faster. If youre in the medical field, or want to be, and the above sounds like you, the Integrated Science Program (ISP) from Lifelong Learning Institute might be right for you. In a nutshell, the program focuses on one science for a full month, and then moves on to the next subject. So rather than taking four subjects at the same time for a full semester, you immerse yourself in just one subjectfocused attention on one topic. At Southern California University of Health Sciences (SCU), for example, the ISP format involves face-to-face, full-day classroom time on Saturdays and Sundays, web-based learning from home during the week, and weekly tests. Its designed especially for adult students who work. With this format, theyre able to attend classes on weekends and fit the self-study portion of the class, which includes online discussion forums, into their lives whenever they can on weekdays. At SCU, the following courses are available in the ISP format: Biochemistry LabChemistry for Allied Health Professionals (Organic Chemistry and Biochemistry combined) Lab)General Chemistry 1 2 LabHuman Anatomy and Physiology 1 2 LabHuman Biology 1 2 LabMicrobiology LabOrganic Chemistry 1 2 LabPhysics 1 2 Lab Most ISP students at SCU are working toward completing science prerequisites for health science degrees for use in the following careers: ChiropracticDentistry and Dental HygieneMedicineNursing (LPN, LVN, CNA, ADN, RN, BSN, MS, PhD)OptometryOsteopathic MedicinePharmacyPhysician AssistantPhysical TherapyPodiatric MedicineVeterinary Medicine The ISP brochure from SCU states: Immersion learning enables ISP students to easily remember the earliest lessons of the curriculum throughout the entire duration of the course. ISP students report that never before have they grasped and retained the concepts of basic sciences so completely. The accelerated format is equal to the same credit hours as traditional semester-long programs, providing nontraditional students with one more option for fitting school into their already busy lives. If youre unsure about whether or not this kind of program is right for you, plan to attend one of the monthly open houses held on Saturdays in both Los Angeles and San Francisco. Youll also find the FAQ page helpful in answering questions you have, and theres a webinar you can take that explains everything about the Integrated Science Program, including how to apply. Testimonials are also helpful when youre trying to decide on an unconventional form of study. Be sure to read what other students have said about their success with the program. Allen Grove, Abouts Expert on College Admissions, has a nice profile on Southern California University, including info about the test scores youll need to get in, the number of applicants generally accepted, enrollment numbers, costs, financial aid available, most popular majors, transfer, graduation, and retention rates, and the schools mission statement. Thats a whole lot of info in one spot. Related science topics at About.com: BiologyChemistryHealthMathematicsPhysics

Business Plan Coursework Example | Topics and Well Written Essays - 2000 words

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Community Service Essay Example | Topics and Well Written Essays - 250 words

Community Service - Essay Example These programs test their patience and resilience on difficult tasks that they are likely to encounter in their college or work life. With a whole year’s worth of patience and resilience, these teenagers are better able to handle themselves without any supervision and avoid getting into trouble. They can handle the challenges they will encounter in trying to figure out how to be on their own (Kenny and Gallagher, 2003). They are also taught on projects such as disaster services and being environmental stewards. This is therefore a learning opportunity for them that teach them to be responsible individuals on issues to do with the environment as well as on how to manage disasters as they try to become better citizens (Kenny and Gallagher, 2003). 18 year olds are still yet to define themselves as adults even though some of their actions are childish. Taking this confusion in identity development to work or in adults is not good as things are likely to go